Ational aconomy Essay Example for Free

Ational aconomy EssayA reefer pretend is a partnership created by agreement between the parties to share in the losses and profits of the venture. provided it is un want a partnership in that the venture is for one specific project only, rather than for a continuing business relationship. If we speak round deuce great artists Anrie Matisse and Pablo Picasso the idea about their pin venture could be expressed in the words History of success or How they never worked together only when influenced upon each other. When Picasso met Matisse, his French was poor and he was not so experiencied as his older college.Fernande Olivier said Matisse, beaucoup plus age, serieux circonspect, navait pas les idees de Picasso. Pole Nord et Pole Sud , disait-il en parlant deux deux. He characterized Matisse in those words Le type du grand maitre visage aux traits reguliers, a la forte barbe doree, Matisse etait sympathique. Il semblait cependant se derober derriere ses grosses lunettes, reservant lexpression de son regard mais parlant longuement stilbestrol quon lentreprenait sur la peinture. Il discutait , affirmait, voulait convaincre.Il avait deja pres de 45 ans, tres maitre de lui a lencontre de Picasso, timide, toujours un peu maussade et gene dans ces sortes de reunions. Matisse brillait et simposait. Ils etaient les deux artistes de qui on attendait le plus. Leo Stein, collector and mecenate said that disorder and dust (le desordre et la poussiere) was usual medium for Picasso versa order and calms (lordre et le calme) for Matisse. They were competitors but they were were friendly competitors. Matisses focus was color and lines while Picasso put form above all.And it is so strange to read words of some art experts (Robert Rosenblum) about their competition This is like the heavyweight championship of the art world like the battle of the titans, like the Montagues and Capulets. One of the exciting things about it is the friction, the rivalry, the give and t ake. Well, what art production was the result of two or more artists working together as a joint venture? Historically the first examples of joint venture were seven wonders of the ancient world.I can not recollect names of all authors of the Great Pyramids at Giza, the Hanging Gardens at Babylon, the Statue of Zeus at Olympia, the Temple of Artemis at Ephesos, the Mausoleum at Halicarnassus, the Colossus of Rhodes and the Pharos (Lighthouse) at Alexandria. Nobody can. entirely I should try. The biggest and the most made project is Khufus pyramide. So, what parties we have in this joint venture? Producer and general director Great King Pharao Khufu. Architect and executive director Khimeun. otherwise participanys hundreds of unknget artists.Tourists want to look at this specimen of ancient art and they ready to pay for this pleasure. Some kinds of arts are syntetic by their nature. Like opera house, which is a drama set to music and made up of vocal pieces with orchestral acco mpaniment and orchestral overtures and interludes (www. m-w. com). So several persons participate in developing opera composer and conductor (music), writer (libretto), scenograph and director (performance). Success of the performance depends not only on music or text but on every participant. Painters commonly work independently.Leonardo da Vinchi made picture Babtize of Christ (Andre Veronezes workshop) to be more expensive when he put his go across to an angel and landscape. But when young Leonardo worked with Veroneze he was only his apprentice. Some artists created consortium which became brend name of their production. Soviet caricaturists Kupriyanov Mikhail, Krilov Porfiri and Sokolov Nikolay were teamed up during second world war and their caricaturs signed as KUKRINIKSI. melt down in harmony is ideal. But artist team creates atmosphere of inspiration which helped individuals to produce true chedevre.This was a project conceived of with joy and optimism, it was carried o ut with faith and beloved faith that we could, as a team, work collectively to create something much greater than each of us individually and love because thats why we make bridle-path paintings we love what we do. these words of participant of street painting festival demonstrated advantages of team work and joint venture in the art. So, the oldest story is relationship of procure and apprentice. The apprentice system, through which new artists learned the trade ensured that styles of art were continued from master to apprentice.An apprenticeship was an obligation of future painter parts and normally lasted from four to six years. This end spent in a recognized master painters workshop insured the young artist a thorough familiarization with the complexities of his craft. Laborious task like hand grinding of mineral paints was often left to the apprentice. In the masters studio apartment the apprentice was exposed to the many thoughts, opinions and artistic theories which c irculated with great fluency from one artists studio to the others. Painters studios were often lively places frequented by artist, patrons and men of culture.Animated artistic debates as well as exchanges of information concerning the art market were the norm. The apprentice, within the space of a few years, was personally exposed to an endless stream of ideas and information which passed every day through the masters studio. He was allowed to work on the less primal areas of the masters own paintings such as large areas of unmodulated color or monotonous areas of foliage in the background. The master closely followed his pupils progress and turn him when needed. Some extremely talented artists were able to leave the masters studio within a few years.Rembrandt progressed so rapidly that he already had pupils of his own at the age of 21. An apprentices first tasks were humble sweeping, running errands, preparing the wooden panels for painting, and grinding and mixing pigments. As the apprentices skills grew, he would begin to learn from his master drawing sketches, write paintings, casting sculptures, and assisting in the simpler aspects of creating art works. The best students would assist the master with important commissions, often painting background and minor figures while the Master painted the main subjects.The few apprentices who showed amazing skill could eventually become masters themselves. A very few became greater artists than their masters. As the apprentices skills improved he worked on the more complex areas such as drapery and the secondary objects definen in the painting. Once the apprentice had gained sufficient mastery, he was allowed to conceive and execute his own paintings, but could neither sign nor sell them. This could be done only after he had undergone the entrance exam of the guild. other advantage of being a guild member was permission to sell paintings of other artists as well in order to increment his earnings.Its very dif ficult to call this relationship true joint venture. But we could find some parallels in the modern business. For example iFIDs. com is a joint-venture partnership between Thunder Bay International Airport Inc. and Aviation InterTech. iFIDs. com came about when the airport went looking for a flight information display system for the terminal to fit their budget and Aviation InterTech came up with a low-cost Internet-based solution. Another axample the joint venture have been formed recnetly between BBC Worldwide Americas Inc. (BBCWA) and New York merchant banking firm Veronis Suhler.The venture will initially focus on getting consumer lifestyle and informational publishing properties with cross-media expansion potential. It incorporated the BBCs existing and future North American businesses in publishing including video, books and magazines. The 50/50 joint venture is being capitalized at $100 million of equity, with significant purchasing power beyond this. The company will be man aged jointly by both partners. You see joint venture in the art is always virtual. But JV in the business is very important part of world and national aconomy.